- Victor Weiss
Especially when adding sound effects to film in post-production, it is important that any added reverb fits well into the original recorded sound. Sound engineer Fabian Weigmann and sound designer and foley artist Bastian Gerner from the post-production house D-Facto Motion Berlin have long been looking for the perfect reverb unit - and found the Raumzeitmaschine.
In their video, they give you an insight into their work based on a scene from the movie "Adam" by Maria Solrun:
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To the Raumzeitmaschine product page
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D-Facto Motion online: https://www.d-facto-motion.de/de/