Many grieve the sound of the era of analog mixer consoles but don’t want to waive the modern conveniences like total recall.
The Tube Summing Mixer gives you the opportunity to bring the sound of analog mixing with the benefits of a digital workflow to the comfort of your own studio.
The analog signal path, tubes and matching transformers, are responsible for processing the signals. The result is a typical analog sound; open & defined yet warm. The mix is not trapped in the box but opens up the whole room.
With 2 × 20 channels, there are enough inputs available to glue together the most demanding mixes. If 40 inputs aren’t enough for you, several Tube Summing Mixers can be cascaded to increase the input count. As you can use more than one Tube Summing Mixer together, nothing stands in the way of your surround mixes.
To ensure the exact reproducibility of a mix, the Tube Summing Mixer is equipped with a stepped output switch instead of a potentiometer. This allows a practical reduction at -3dB increments.
If you wish to insert mono signals into the mix, just insert the signal into the lower TRS jack. The mono signal is then automatically distributed to both channels simultaneously making it appear in the phantom center of the mix.
- 2 × 16 balanced inputs via 4 sub D connectors (XLR or TRS via adapter cable, Tascam® layout)
- 2 × 4 balanced TRS inputs (Neutrik®stereo jack)
- Internal mix bus with up to +22 dBu
- Active Tubes and Transformer output stage
- Illuminated VU meters
- Output Level switch in -3db increments
- Frequency response: 20 – 40.000 Hz +/- 1,5 dB
- Dynamic Range: Un-weighted > 110 dB
- Crosstalk between channels > 90 dB @ 1kHz
- Internal power supply (15 W) with high quality toroidal transformer
- Height: 88,1mm (2u), width: 483mm, depth: 250mm
…The audio material loses its corners and is compressed much more in the Mids than without the Analog summation…
…Short percussive sounds are only slightly decanted and experience a comparatively small change in sound. Surfaces or material that are already heavily compressed, on the other hand, experience a significant increase in pressure which makes it softer and more frequency balanced…
…It is also worth mentioning that the sound coloration does not affect the treble or bass range. So there is no need to worry about failures such as a drop in treble or a lack of punch below 100 Hz…
…The individual signals become more outlined and vivid, the overall image gains in tasteful color and expressiveness. The spatial information clearly comes to light, resulting in the impression of a deeper listening experience. The sound gets more vivid and three-dimensional…
…The result is even clearer after processing a production that has an analogue sound and comparing it to the purely digital mix……The mix sounds just as full and crisp as before, but just “trimmed” at the corners, slightly more rounded and gentle…
…Centered around a beautiful, silky tube sound, it keeps hasty peaks under control, allowing a strong overall level as an output for the for the summed signals…
Digital Recall Sheets
Download the free Konnektor plugin from the Konnektor product page .
It contains a digital recall sheet plugin.
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Price 1.699,00 € (Price incl. 19% VAT., plus shipping)
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Multicore D Sub to D-Sub
TASCAM pinout, 2x D Sub 25 pin male, Knurled screw, chrome, 44 mm length, imperial, D Sub locking, imperial, Lenght: 1.0 m
Multicore D Sub to balanced TRS
TASCAM pinout, 8x TRS 3 pin, 1x D Sub 25 pin male, Knurled screw, chrome, 44 mm length, imperial, D Sub locking, imperial, Spliss: 0.5 m, length: 2.0 m